Melanin Rhapsody Flute Choir
53rd Annual National Flute Association Convention
A celebration of representation, diversity, and equity for BIPOC flutists and the NFA Convention Audience.
Colby Symphony Orchestra
Mozart Overture to “Don Giovanni”
Beethoven Violin concerto - Minju Kim, violin
Tchaikovsky Symphony No. 6 “Pathetique”
— Principal Bassoon —
Colby Symphony Orchestra
Ravel “Le Tombeau de Couperin”
Raúl Esteban Ardila Pineda
Concerto for marimba, vibraphone and traditional marimba - Alejandro Ruiz, percussionist
Prokofiev Peter and Wolf - John Ervin, narrator
— Principal Bassoon —
Colby Symphony Orchestra
Berlioz Roman Carnival Overture
Shostakovich Cello Concerto No.1 - Benjamin Noyes, cello
Brahms Symphony No.2
— Principal Bassoon —
Colby Symphony Orchestra
Schubert Overture in D major, D26
Verdi Requiem
— Principal Bassoon —
Colby Symphony Orchestra
Schubert Overture in D major, D26
Verdi Requiem
— Principal Bassoon —
Colby Symphony Orchestra
Brahms Nänie
Thompson Seven Last Words of the Unarmed
Beethoven Piano Concerto No. 5
Copland - Rodeo: Four Dance Episodes
— Principal Bassoon —
Colby Symphony Orchestra
Brahms Nänie
Thompson Seven Last Words of the Unarmed
Beethoven Piano Concerto No. 5
Copland - Rodeo: Four Dance Episodes
— Principal Bassoon —
Colby Symphony Orchestra
Verdi - Overture to La forza del destino
Wieniawski - Violin Concerto No. 2
Ives - Symphony No 2
— Principal Bassoon —
Brendon Wilkins Organ Trio
Brendon Wilkins leads his organ trio for an evening of swinging jazz featuring the music made famous by Stanley Turrentine, Shirley Scott, and Jimmy Smith. The Hammond B3 organ has been an integral part of the jazz tradition, and is tied to the signature sound of all three of these musicians. Tenor saxophonist Brendon Wilkins will be joined by Chicago-based organist Henry Dickhoff and New York City-based drummer Hank Allen-Barfield.
Personnel:
Brendon Wilkins - Tenor Saxophone
Henry Dickhoff - Hammond B3 Organ
Hank Allen-Barfield - Drums
Vigorous Tenderness
Brendon Wilkins - Baritone Saxophone
Black Mary by Shelley Washington
Vigorous Tenderness is an outdoor distanced concert series that amplifies marginalized voices in classical music and democratizes new/experimental music.
A response to pandemic music-making, Vigorous Tenderness brings audiences to meaningful outdoor spaces and invites them to re-engage safely with acoustic sound. These experimental performances resemble an art museum experience, with chamber music ensembles spread across the landscape while the audience forges a self-curated path through the installation. The programming highlights BIPOC and queer composers, and features some of Maine's most thoughtful musicians.
Colby Symphony Orchestra
Dvořák’s Cello Concerto (1894)
Stravinsky -Petrushka
— Principal Bassoon —
Altus & BlowGlobe
Miho Hazama - Conductor
Mar Vilaseca - Vocals
Brendon Wilkins - Flute, Piccolo, Alto Flute
Nathan Reising - Alto Saxophone
Evan Harris - Tenor Saxophone, Soprano Saxophone
Andy Gutauskas - Bass Clarinet
Hanan Rahman - French Horn
Stuart Mack - Trumpet
Summer Camargo - Trumpet
Jacob Melsha - Trombone
Martha Kato - Piano
Ethan Ditthardt - Guitar
Chris McCarthy - Piano
Brandon Boone - Bass
John Sturino - Drums
Colby Symphony Orchestra
Brahms Academic Festival Orchestra
Poulenc Concerto for Two Pianos and Orchestra
Brahms Symphony No 4
— Principal Bassoon —
Élan Wind Quintet
Nicole Rabata, flute
Michael Albert, oboe
Karen Beacham, clarinet
Brendon Wilkins, bassoon
Sophie Flood, French horn
“The Light is the Same” Celebrating diversity in the modern landscape through underrepresented living composers.
Vigorous Tenderness
Mikayla McClure - Soprano
Kate Campbell Strauss - Alto Saxophone
Brendon Wilkins - Tenor Saxophone
Jayne Sawtelle - Baritone Saxophone
Vigorous Tenderness is an outdoor distanced concert series that amplifies marginalized voices in classical music and democratizes new/experimental music.
A response to pandemic music-making, Vigorous Tenderness brings audiences to meaningful outdoor spaces and invites them to re-engage safely with acoustic sound. These experimental performances resemble an art museum experience, with chamber music ensembles spread across the landscape while the audience forges a self-curated path through the installation. The programming highlights BIPOC and queer composers, and features some of Maine's most thoughtful musicians.
Melanin Rhapsody Flute Choir
52nd Annual National Flute Association Convention
A celebration of representation, diversity, and equity for BIPOC flutists and the NFA Convention Audience.